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Judges/Panel
Ute Noll
Nationality : Germany
Career
Director, Uno Art Space (Germany)
Photo Director, Du Magazine (Switzerland)
Lecturer, University of Applied Sciences in Bielefeld
Judge Career
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2018
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Fotofest 2018 Biennial India
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2018
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Swiss Press Photo
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2017
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Unicef Photo of the Year Award
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2016
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Lianzhou Punctum Photography Award & Jury Special Prize (2016)
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2012
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Kill Your Darlings: Emerging Photography (Kerber, 2012)
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2010
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HIJACKED 2: AUSTRALIAN AND GERMANY (Kehrer Verlag, 2010)
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2006
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Erik Niedling - Fotografien - Forst Archiv Status (Schaden, 2006)
David Drake
Nationality : United Kingdom
Career
Director, Ffotogallery (United Kingdom)
Director, Diffusion - Cardiff International Festival of Photography
Producer, Electric Pavilion (United Kingdom)
Director, Wales in Venice (2015)
Judge Career
Fotofest 2018 Biennial India Reviewer (2018)
FotoFest 2016 Biennial Reviewer (2016)
Publications
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2015
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High-Rise (Ffotogallery, 2015)
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2013
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Wait and See: F&D Cartier (Ffotogallery, 2013)
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2012
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Other Spaces: Jo Longhurst (Ffotogallery, 2012)
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2011
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Believing is Seeing (Ffotogallery, 2011)
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2009
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The Skater: Wendy McMurdo (Ffotogallery, 2009)
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2009
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Humming Paradise: Joe Magee HB (Ffotogallery, 2009)
Park Pyeong-jong
Head Judge of the 10th Ilwoo Photo Awards, Aesthete, Critic
Graduated from the Photography Department of Chung-Ang University and obtained a
Ph.D. in Aesthetics from Paris 10 University.
Currently, teaching Aesthetics and Contemporary Photography at the university,
researching fundamental theories on images and having an interest in contemporary
aesthetics. Emphasizing communication with artists, actively engaging in criticism
activities, and attempting to write for the general public. Served as a deliberation
committee member for the collection of works at the National Museum of Modern and
Contemporary Art (2007-2008). In 2010, judged the 'Today's Photo' on the Naver
portal. Planned the Seoul Photo Festival workshop in 2012.
Authored several books including the theoretical work on aesthetics, "Traces of Aesthetics" (2006, Misul Munhwa Sa), a brief history of 19th-century photography, "Competition of Photography" (2006, Nunbit), early Korean artist discourse "Pioneers of Korean Photography" (2007, Nunbit), the first collection of reviews "Self-sustaining Power of Korean Photography" (2010, Nunbit), and contemporary Korean artist discourse "Enchanting Photography" (2011, Photonet). Additionally, published numerous papers.
Education
Bachelor's Degree in Photography, Chung-Ang University
Ph.D. in Aesthetics, Paris 10 University
Key Experiences
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2016
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Judge for the 6th Ilwoo Photo Awards / Judge for the 15th Donggang Photo Awards
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2014
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Judge for the 13th Donggang Photo Awards
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2012
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Planning of Seoul Photo Festival Workshop
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2010
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Naver 'Today's Photo' Judge
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2008 ~
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Judge for the 9th Donggang Photo Awards
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2007
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National Museum of Modern and Contemporary Art, Collection Committee Member
Publications
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2011
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Enchanting Photography, Photonet
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2010
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The Self-sustainability of Korean Photography, Nunbit
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2007
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Pioneers of Korean Photography, Nunbit
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2006
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Competition of Photography, Nunbit, Traces of Aesthetics, Misul Munhwa Sa
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2001
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, Forest of Trees
* Artists introduced in the book 'Enchanting Photography': 구성수, 권순관, 김옥선, 난다, 박형근, 백승우, 윤정미, 이은종, 정연두, 한성필, etc.
Guseongsoo, Kwon Sung-gwan, Kim Oksun, Nanda, Park Hyeong-geun, Baek Seung-woo, Yoon Jung-mi, Lee Eun-jong, Jung Yeon-doo, Han Sung-pil, and others.
Park Sang-woo
Photography Theorist
Graduated from Seoul National University with a major in Geography, obtained Master's and Ph.D. degrees in Arts and Literature from the Language Department of the Higher Institute of Social Sciences (EHESS) in Paris. Specializes in photography and visual aesthetics, previously served as an assistant professor in the Department of Photography and Moving Images at Chungbu University, currently working as an associate professor in the Department of Aesthetics at Seoul National University.
Papers
"Digital Fingerprints and Francis Galton," Sociétés et Représentations, No. 28, (2009. 10): 207-219
"From Photography to Film: Marey's Influence on the Invention of Cinema," 'AURA,' 2013.
"Avant-garde Art and Media Aesthetics of Molinari: A Study in Modern Art History," 'Research in Contemporary Art History,' 2014.
"Media Aesthetics of Vilém Flusser: Technological Images and Photography," 'Research in Aesthetics and Art Studies,' 2015.
"Vilém Flusser's Reception Theory of Photography and Technological Images," 'Visual Culture,' 2015.
"Revisiting Roland Barthes' Photography Reception Theory," 'Journal of Modern Art Studies,' 2016.
"Roland Barthes' 'That-which-has-been' and Awe," 'Visual Culture,' 2017.
Monographs
'Two Faces of Documentary Photography,' Co-authored, 2012.
'Roland Barthes, Bright Room,' Communication Books, 2018.
Shin Bo-seul
Completed a bachelor's degree in Philosophy at Ewha Womans University, a master's degree in Aesthetics from Hongik University Graduate School, and completed the doctoral program at Dongguk University. Started exhibition planning in 1997, worked as a founding member of Art Center Nabi from 2000 to 2002, served as the exhibition team leader for the Seoul International Media Art Biennale (Media City Seoul) from 2003 to 2005, curated the Uijeongbu Digital Art Festival (2005), and served as the responsible curator for the alternative space Loop.
Actively participated in domestic and international media art-related academic events and exhibitions, including the Berlin Transmediale in Germany (2005), Creative Evolution at Goldsmiths in London (2005), and the 1st CeC&CaC in Delhi, India. Since 2007, has been serving as the responsible curator for Total Museum of Contemporary Art.
Representative Exhibitions
Curated international exhibitions such as (Seoul, 2007), exhibitions in Bulgaria, Denmark, Turkey, and Korea (2007-2008),
another exhibition in Seoul (2008), Transmediale (Berlin, 2005),
Creative Evolution (London, 2005), and an exhibition in Stuttgart (2005).
Expanding the scope of activities to include contemporary art, especially media art.